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| Designed by John Roshell, Elsewhere is a novelty font published by Comicraft. |
Someday, a long time from now, in a galaxy not so very far away, you’ll find yourself Suddenly transported to the nether- realms of Elsewhere, bathed in the light of the mystic moons of Meanwhile… While you’re waiting for that day, check out this font by John “JG” Roshell. It may not provide you with the same transcendental experience, but JG assures us that it really is the next best thing.
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| Designed by John Roshell, Hip Flask is a display sans font family. This typeface has eight styles and was published by Comicraft. |
Well, if you found this page via Google and what you’re looking for is NOT a Slam Bang display and logo font (made famous by the logo of our sister company’s flagship comic book title, HIP FLASK), but in fact a small metal bottle suitable for brandy, whiskey or the spirit of your choice, then we deeply apologize. If you’ve read this far, then we’d like to point you to eBay where you’ll find a wide selection of the items you’re looking for. While you’re there you might also like to consider how difficult it is for HIP FLASK fans to find back issues of our comic amongst all those pewter and stainless steel christmas gifts for your golfing friends and fellow alcoholics.
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| Download Hip Flask Fonts Family From Comicraft |
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| Designed by Ben Burford, Loopkin is a display font published by Ben Burford Fonts. |
Loopkin. A new display font from Ben Burford Fonts.
A stylistic take on the classic modern serif fonts that have been a staple in high fashion publications for decades,
A New Take on a Classic!!
The opentype font comes with a full set of characters with also ligatures and alternative characters using the stylistic sets
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| Download Loopkin Fonts Family From Ben Burford Fonts |
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| Designed by John Roshell, Manganese is a display, foreign and novelty font family. This typeface has three styles and was published by Comicraft. |
The entire Headquarters Building of Active Image Comicraft has been ripped from the ground by a giant lizard monster which has unexpectedly risen from the sea! It has the power of bodily transformation! By merely willing it, it can transform its atomic structure into any form and shape. It is completely hostile. It regards our entire island nation as its enemy. Run! RUN! Run from the Giant Monster!
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| Designed by Jakob Fischer, Minimum Waste is a hand display and hand drawn font family. This typeface has two styles and was published by Pizzadude.dk. |
Minimum Waste - the name is taken from a Sade song, but is meant more as a political statement. Please be aware about your everyday use to make sure the planet survives!
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| Download Minimum Waste Fonts Family From Pizzadude.dk |
Designed by John Roshell, Mr Mamoulian is a hand display font family. This typeface has three styles and was published by Comicraft.
In some way I was Mr Mamoulian and someone else was writing and drawing this stuff. He said he was Albanian and thathis name was Alban Skandabaeg.. He kept sending me these pages. I had to sign my name and pass them off as my own. They wouldn’t have published the stuff otherwise. I had no choice. He was holding my aged mother hostage you see. I told him when the pages were due and he somehow got them to me. Sometimes he left them in secret locations. I don’t remember them at all.’—Brian Bolland, BOLLAND STRIPS
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| Designed by John Roshell, The Story So Far & Near is a display sans font family. This typeface has eight styles and was published by Comicraft. |
Don’t say it! Is this THE END of THE STORY SO FAR?! Is there REALLY an END to ANY story, or just a place where it STOPS? We started near the beginning of the end, and now we are near the end of the beginning, so far away and yet so close… but Ends are not bad things and many ends aren’t really an ending, especially when you are merely near the end of a never ending story. Are you anywhere near with us so far?
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| Download The Story So Far & Near Fonts Family From Comicraft |
Designed by Paulo Goode, Cream is a retro and serif font family. This typeface has twelve styles and was published by Paulo Goode.
Cream is a big softy! This retro soft serif typeface comprises 12 fonts and can handle most typographic applications from branding to body copy with its range of weights and inherent legibility. Whatever you type will have a friendly message, but it really comes into its own when you start applying some of the additional alternates and ligatures that are built into Cream. You’ll be creating distinctive typographic compositions that are pleasing to the eye in no time at all!
There are 12 fonts altogether, ranging from Light to Black weights in both roman and italic. It has an extensive character set that covers all Latin European languages.
Key features:
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| Designed by Thomas Mettendorf, Metroflex Pro Narrow is a sans serif font family. This typeface has ten styles and was published by GarageFonts. |
This is Metroflex Pro, an urban, multi purpose standard type system, engineered like a
machine. The design was inspired by the Fritz Lang’s Metropolis, a silent film created in 1926. The basic idea was to design a standard type system that fits into the world of Lang’s Metropolis.
Metroflex Pro features original ideas and solutions that have roots in the present while inspired by past designs such as Univers, Futura, Steile Futura and DIN.
Metroflex Pro - a practical communication tool for contemporary design available in 3 widths: Uni, Narrow and Wide, and five weights: Light, Regular, Medium, Bold and Heavy with Obliques.
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| Download Metroflex Pro Narrow Fonts Family From GarageFonts |
Designed by John Roshell, Paranoid Android is a display sans font family. This typeface has three styles and was published by Comicraft.
Fonts are Inhuman and Human Fonts are IN! Now, the Comicraft Cybernetics Corporation is proud to announce the first in a new line of fonts with GFP… Genuine Font Personalities. Paranoid Android is an outer alloy, inner void, solitary solenoid GFP prototype—you can tell, can’t you? Finally a font that knows its place as a digital servant to the human race. What will Comicraft think of next? No, don’t bother to answer that, Comicraftsmen are fifty thousand times more intelligent than you and even they don’t know the answer. Warning: Nothing left to be enjoyed, every diode rheumatoid*, terminally Paranoid Android is not so much a font, and more a kind of electronic sulking device. Share and Enjoy!
*The moving parts on the left side of this font are in a solid state. It may sit in a corner and rust, or just fall apart where it’s standing.
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| Designed by John Roshell, Speeding Bullet is a comic, hand drawn and retro font family. This typeface has four styles and was published by Comicraft. |
Introducing… SPEEDING BULLET—featuring SPEED TRAILS for increasing the, ah, speed of your bullets! Quick as The Flash, slicker than Quicksilver, the latest in our popular line of silver age display fonts could probably outrun a locomotive AND jump buildings in a single bound. It’s ASTOUNDING, it’s STARTLING, it’s ELECTRIFYING, PERAMBULATING, DISCOMBOBULATING and RETROFITTING. It really is Faster than a Speeding Bullet. Try it out for yourself. Under adult supervision, natch’.